Item# DHERS7776
$40.00 $35.95
The Sullivan Stock Exchange Bead Earrings are based on a portion of the painted decoration done in 1893-94 by Louis Sullivan for the Chicago Stock Exchange’s Trading Room. Sullivan designed a multi-colored wall stencil decoration that covered the top portion of the walls and selected areas of the ceiling. The Chicago Stock Exchange building was designed in the Prairie School/Modernist styles of the architect Louis Sullivan and his associate, George Grant Elmslie. Tarnish resistant silver plated finish on brass with pale blue accent and translucent sapphire blue bead. Hypoallergenic posts for pierced ears. Made in the USA. Gift boxed with descriptive insert. Length: 1.50”.
$240.00
This Laura Wilder New Woods Seasons Framed Matted open edition set of giclée mini prints are small versions of the prints that appeared in the 2010 issues of American Bungalow Magazine. Each individual image size: 4.5" x 6". Solid quarter sawn oak Mission frame. Framed : 30.5” x 13". When Laura discovered the designs and philosophy of the Arts and Crafts movement, she learned printmaking, and...
$240.00
This Laura Wilder New Woods Seasons Framed Matted open edition set of giclée mini prints are small versions of the prints that appeared in the 2010 issues of American Bungalow Magazine. Each individual image size: 4.5" x 6". Solid quarter sawn oak Mission frame. Framed : 11.5” x 36.25". When Laura discovered the designs and philosophy of the Arts and Crafts movement, she learned printmaking, and...
$795.00
The original design for this Frank Lloyd Wright wall sconce lighting was for the interior of the Fredrick C. Robie House (1908) in Chicago, Illinois. Lighting always played an important role of Wright's architectural schemes. Wright would often incorporate wall sconce lamps that followed motifs of the interior theme. The form of these sconces is a sphere framed by a...
$850.00
Frank Lloyd Wright originally designed the wooden table lamp for the interior of his own home, Taliesin, built in Spring Green, Wisconsin in 1911. Engaged in a solid base, the shaft of the lamp supports a square shade in a design that evokes the sheltering roof of a pagoda, one of the architect's signature tectonic forms. Its soft, diffused light renders...