Item# OCAF-361-AB-GI
$380.00
The English Ivy Vertical Wall Mount Mailbox features the precision-cut brass silhouette of English Ivy weaving across the hand-paddled glass, and is the perfect complement to the front of your Arts & Crafts, Bungalow, or Prairie style home. Available in five brass finishes and four glass styles. Finish shown is Architectural Bronze. Lifetime warranty. Made in the USA. Height: 12.25”. Width: 8”, Depth: 5.75" Lid width: 9.5".
PLEASE NOTE: This is a made-to-order item, and not eligible for expedited shipping, gift wrap or discount offers, and is only available in the contiguous United States. Current production time is 2-3 weeks. Please contact us if you have any questions.
$240.00
This Laura Wilder New Woods Seasons Framed Matted open edition set of giclée mini prints are small versions of the prints that appeared in the 2010 issues of American Bungalow Magazine. Each individual image size: 4.5" x 6". Solid quarter sawn oak Mission frame. Framed : 30.5” x 13". When Laura discovered the designs and philosophy of the Arts and Crafts movement, she learned printmaking, and...
$240.00
This Laura Wilder New Woods Seasons Framed Matted open edition set of giclée mini prints are small versions of the prints that appeared in the 2010 issues of American Bungalow Magazine. Each individual image size: 4.5" x 6". Solid quarter sawn oak Mission frame. Framed : 11.5” x 36.25". When Laura discovered the designs and philosophy of the Arts and Crafts movement, she learned printmaking, and...
$795.00
The original design for this Frank Lloyd Wright wall sconce lighting was for the interior of the Fredrick C. Robie House (1908) in Chicago, Illinois. Lighting always played an important role of Wright's architectural schemes. Wright would often incorporate wall sconce lamps that followed motifs of the interior theme. The form of these sconces is a sphere framed by a...
$850.00
Frank Lloyd Wright originally designed the wooden table lamp for the interior of his own home, Taliesin, built in Spring Green, Wisconsin in 1911. Engaged in a solid base, the shaft of the lamp supports a square shade in a design that evokes the sheltering roof of a pagoda, one of the architect's signature tectonic forms. Its soft, diffused light renders...